The Al-Bustan concert at the Trinity Center for Urban Life
began as a break from studying.
I hopped on a
SEPTA trolley with Ire, who (fun fact!) is quite the trumpet player herself -- so we were both looking forward to an escape into the music of Fathy Salama, an Egyptian pianist who blends jazz rhythms with Arab instruments and melodic lines. He remains the only Arab to have won a Grammy, so our expectations were high -- and we were certainly not dissapointed.
As we walked into the concert venue, we were immediately
mesmerized by the magnificence of the place: light streamed
through the stained glass windows and the sea of concert
attendees laughed and chatted among themselves in a babel of languages.
Quite the welcomed change from the silent, beige library walls of the morning.
Soon, Fathy took the
stage with the Philadelphia takht ensemble, and we found ourselves surrounded by a hauntingly beautiful combination of the old and new, the Eastern and the Western.
Neither
of us had heard anything like it before, and we were truly intoxicated
by its skillful composition and loving execution. We were transported
out of Philadelphia and back to the Golden Age of Arab music, as if an
echo of that familiar jazz piano had come with us.
Check out the final piece from the concert here!
xoxo

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